Roger daltrey one of the boys movie#
Roger daltrey one of the boys series#
Roger daltrey one of the boys tv#

It was a track from his first solo album Daltrey, released that same year, which he followed up with the albums that include Ride A Rock Horse (1975), One Of The Boys (1977), the soundtrack to McVicar (1980), Parting Should Be Painless (1984) and After The Fire (1985).

Roger daltrey one of the boys tv#

Roger has also cultivated a singing career outside of The Who, beginning in 1973 when he found himself on the BBC’s Top Of The Pops, the UK’s then premier chart TV show, promoting the single ‘Giving It All Away’ which reached number five in the UK charts.

Roger daltrey one of the boys series#

He has also narrated a series for the History Channel, undergoing extreme hardships similar to those faced by pioneering settlers in America and elsewhere. Other US TV appearances include Lois & Clarke (Superman), Midnight Caller, William Tell, Sliders and Highlander as well as Leprechauns for Celtic Leprechaun Ltd and The Bill, the long running UK TV police drama.

– which uses Who songs as theme music – as five separate, differently made-up characters, one of them a middle-aged African-American woman. Most recently he appeared in the US CBS TV show C.S.I. Other film credits over the years include Ken Russell’s Lizstomania, the title role in McVicar, Lightning Jack with Paul Hogan, Teen Agent, and numerous roles in TV dramas. This in turn led Roger to develop a concurrent career as a film actor while continuing to sing with The Who.

Roger daltrey one of the boys movie#

In this respect Roger became Tommy, the deaf dumb and blind boy of Pete’s imagination, and it was therefore only natural that he should assume the role in Ken Russell’s movie adaptation of the rock opera in 1975, for which he received a Golden Globe nomination. On Quadrophenia, Pete’s second and more ambitious rock opera, Roger was able to bring all his newfound abilities to bear on rockers like ‘5.15’ or power ballads such as ‘Love Reign O’er Me’ which has since become a concert showcase for his outstanding vocals. The Tommy era saw Roger mature enormously as a vocalist, and nowhere was this maturity more evident that on Who’s Next, whether on the melodies of the beautiful ‘Behind Blue Eyes’ and ‘The Song Is Over’ or, at the other extreme, the torturous scream that climaxes ‘Won’t Get Fooled Again’. At the same time he contributed to the group’s sense of showmanship by developing his unique skill at twirling his microphone lead around like a lasso and, by the time of Tommy in 1969, becoming one of rock’s most iconic sex symbols with his golden curls, bare chest and fringed suede coats. Roger’s earliest tastes in music ran to the blues and R&B which formed the setlist during their early years as The Detours, as well as Fifties rock’n’roll, which is reflected in his outstanding interpretations of such noted Who covers as Eddie Cochran’s ‘Summertime Blues’ and Johnny Kidd & The Pirates’ ‘Shakin’ All Over’. When Pete Townshend became the group’s songwriter, Roger became the mouthpiece for his lyrics and ideas. That same energy, coupled with his unwavering resolve, has sustained the group during periods of uncertainty ever since. In those days Roger, whose daytime job was working in a sheet metal factory, even made the band’s guitars, and it was his energy and ambition that drove the group during their formative years. Born in the West London suburb of Shepherd’s Bush on March 1, 1944, Roger first assembled the group that would become The Who in 1961 while at Acton County Grammar School, recruiting John Entwistle and subsequently agreeing to John’s proposal that Pete Townshend should join. If any one member of The Who can be said to be the group’s founding member it is singer Roger Daltrey.